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David McElroy

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I accept others’ amateur media, but I expect myself to be a pro

By David McElroy · June 15, 2019

I listen to a lot of podcasts and watch a lot of online video, almost none of which is produced by broadcast professionals.

The production values of what I watch and listen to varies greatly. Some are pretty decent, but most are pretty awful compared to something from a traditional broadcast network. The sound quality on most of these shows is terrible. The video quality is laughable. They tend to be poorly edited.

So why do I listen to so many podcasts on which the people are amateurs who sound like average folks sitting in a coffee shop chatting? And why do I watch videos with random backgrounds — laundry or whatever happened to be sitting around when someone started the camera?

Why do I eagerly listen to such shows — such as the one I was listening to on the way home tonight — while I expect myself to produce network-quality audio and video before I can allow myself to move ahead?

I listen to such shows because I find value in what they have to communicate, even if their hosts are about as professional as old men gossiping as they eat their biscuits at Hardee’s in the morning.

So how does my attitude about them compare to my standards for myself? Well, it’s a double standard — but it’s one to which I’m frequently blind.

When I make something, I expect it to be good enough to compete with what professionals might make. If I record audio, I expect it to sound as though it was recorded at a decent studio or a radio station. If I make a video, I expect it to look as though it was recorded and edited by broadcast professionals. Maybe not network pros, but at least as good as what I might see on local television.

And this is why I’m always disappointed in myself. The things I produce never match my expectations.

My lighting isn’t even enough. My sound isn’t perfect. And most of all, my performance grates on my nerves. I meander. I make goofy expressions when I can’t figure out exactly what I was trying to say. And I get simple words wrong — things that make me feel as though I look like an idiot when I watch the final product and wonder why I randomly used a word incorrectly.

Even to me, this sounds ridiculous. I find great value in shows that are produced by people who don’t seem to care about production values, but I can’t relax and let myself learn from my mistakes — because I’m too scared to look ridiculous to the world. My ego gets in the way, which makes it harder to learn.

I’m annoyed with myself about this, but I haven’t been able to get past it so far.

I know it’s good to care about production values. I know that it’s good to have high standards. But if I expect my work to be perfect from the beginning, I’ll never allow myself to do enough of it to get proficient.

I’m going to tell you a secret. I have a feeling that I can be good at this if I do it enough to get comfortable and relaxed. I need a lot of work. I need a lot of experience. I need to keep producing content that’s not perfect in order to slowly get good enough that I won’t be embarrassed.

When I was a child, I was accustomed to being able to do most things perfectly from my first try. My ego enjoyed starting something in school and doing it right from the beginning while others struggled. I came to believe that’s what I was supposed to do. Eventually, I figured out that I had developed a habit of refusing to try things which I couldn’t do perfectly from the beginning.

Broadcast-quality audio and video are things I can’t do perfectly from the start. They’re too technical, but even more importantly, they require a lot of work to get the performance part correct. I have to allow myself to do sub-standard work — and hope I don’t run off anybody who might watch — so I can learn how to do it right.

I was encouraged by one small development this past week. When I made a video about work and doing what we love, that wasn’t planned. Although I had been thinking about the subject for half a day, I had no intentions of making a video.

But around 9:30 p.m., I suddenly decided I wanted to talk about it. Since there was nobody around to talk with, I just grabbed some books from the shelf and got in front of the camera to talk with you instead.

When I make videos, I tend to make multiple takes, starting over half a dozen times. This time, I just turned the camera on and talked — without any planning — and that was the only take.

Now the truth is that the piece might have been only half as long if I had carefully planned it — and not so meandering — but the point is that I allowed myself — for the first time — to just go with it quickly, without fixing anything.

If I’ll do that once or twice a week for the next year, I suspect I’ll get pretty good at this. But it makes me cringe to think about people seeing me do that much sub-standard work while I figure out what I’m doing.

I just wish I could give myself the sort of grace that I give to the people I listen to on other shows. But that would require me to allow myself to be human — and that’s something I’ve never been very good at.

I either need to get good at this or I need to give it up entirely — and the only way to get good at it is to let myself be sub-standard while I learn. Let’s see whether my ego can allow that.

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Filed Under: Uncategorized Tagged With: audio, broadcast, ego, fear, podcast, practice, video

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As part of my effort to rid my life of social media, I will no longer display links to my two Instagram accounts here. Those accounts will be dormant for the time being and will eventually be deleted. I plan to have a method for displaying photos here instead, but the solutions I’ve tested so far have been disappointing. I’m still working on it.

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Sunset, Leeds, Alabama — August 19, 2026 Sunset, Leeds, Alabama — August 19, 2026
When I got home at midnight Monday, I was doing so When I got home at midnight Monday, I was doing some work in the studio and Oliver wanted to join me, so I showed him around to acclimate him to the place again. He rarely goes in there, but I have pictures of him in that studio on the night I brought him home as a kitten. 😺
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When I take lightning pictures, I’m always hoping When I take lightning pictures, I’m always hoping to get just one usable photo, but I got two dramatic images tonight. You might recognize the water tower and communication tower that you’ve seen in many of my sunset photos. This is about a mile from my house in Leeds, which is just east of Birmingham.
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Alex was willing to cooperate with me for a new po Alex was willing to cooperate with me for a new portrait late Wednesday night. It’s been roughly three and a half years now since the cold night when I was able to lure him out from behind a garbage dumpster into a trap — but I don’t think he’s sorry at this point that he fell for the trick. 😺
This is the face of a man who’s thrilled that the This is the face of a man who’s thrilled that the weekend is finally here. It was a very long (and productive) week, but the time has finally come that I have time to write and read and think. Late Friday night, I’m at the McDonald’s near my house with a Diet Dr Pepper and a MacBook. For me, it’s like Cheers without the booze.
Donald Trump has figured out who to blame for the Donald Trump has figured out who to blame for the the D.C. Reflecting Pool turning green. The dastardly deed was carried out by a specially trained squad of Antifa cats trained by the Far Left. It’s not his fault. Arrest all the cats! #satire #parody
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Late Wednesday night, Meg is the only one of the c Late Wednesday night, Meg is the only one of the cats still hanging out with me in the bedroom while I’m writing.
When I got home late Wednesday night, I went to a When I got home late Wednesday night, I went to a side window to see how the cats would react to me showing up there unexpectedly. Alex got out of the bed on my desk and posed on the corner of the desk. Sam jumped into the window and meowed at me. This is an example of a picture that wouldn’t have been possible a few years ago, because the contrast was awful and it was far too hazy since it was taken through the window. But current tools that would have amazed me a few years ago allow me to save such images now. And that’s pretty satisfying.
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Meet my new girlfriend. Her name is Meg. And she’s my little sweetheart. A couple of months ago, a neighbor across the street told me about a new stray in the neighborhood that she and I were both soon feeding. The cat had been very skittish about contact and she had a lot of scabs and parasites in her fur, but a trip to the vet last week revealed that she was otherwise in good health. The vet estimates her to be 1 to 2 years old. I named her for Meg Murry, the 13-year-old protagonist of Madeleine L’Engle’s wonderful book, “A Wrinkle in Time.” (Please read the book. Don’t watch the horrible movie.) Since we lost Lucy almost a year ago, it seems appropriate that we finally have a new little girl to join the household. She’s already captured my heart, but Alex, Oliver and Sam aren’t there quite yet.

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