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Can I reconnect with inner child who saw the world differently?

By David McElroy · August 11, 2022

When I was around 10 years old, I got interested in drawing. Although my parents had divorced and my father had custody, I still saw my mother at times. She was delighted with my newfound interest in art.

My father didn’t think much of the idea, but my mother got a full-time artist — one of her old college friends — to come to our house in Anniston, Ala., and talk with me about how I could develop my skills. Nothing came of that and I barely thought of it for years.

I’ve been thinking lately that this was one of the first skirmishes in an inner war — one that has been both intellectual and spiritual — that’s gone on inside me ever since I was a child. My parents represented very different approaches to intellect and life and philosophy.

Neither approach is wrong or evil. Each has its advantages and disadvantages. Part of me is ruled by one and another part is ruled by the other. They’re both essential parts of me.

But for most of my life, I’ve followed my father’s rational and factual approach. It was about making direct arguments and seeing the world in concrete and practical terms. My mother’s approach was more artistic and abstract. Even mystical. It was about intuition and following what felt right.

It’s easier to make it in the world if you’re able to live by my father’s rules. But I’m slowly concluding that this pragmatic approach will never work for me. I’ve admitted this before. Several times. But I keep getting scared of the alternative.

I’m terrified to say this, but I fear that I’ll never have any peace until I follow my mother’s more intuitive and abstract path — right over the artistic cliff into the world of creation.

Let me say briefly that my father’s approach isn’t wrong. Not really. Most people will do better in life if they’re practical and reasonable. It’s the easier path. It’s the only one that the vast majority of people understand.

But for me, it’s been a path of misery and dissatisfaction. It’s left me with the strong realization — for years — that I’m far off my correct path in life. And I find myself unable to achieve much of anything, simply because I can’t commit to the pragmatic path and I’m too scared to commit to the artistic path.

When I was a child, there were two parts of me — one like my father and one like my mother. Since Mother left us when I was 5 years old — and was completely gone from my life in another eight years or so — I became more and more like my father. I reflected his approach to life.

But there were times from the beginning when I was moody and turned inward, when I thought about things other people didn’t think about — when I felt things that other people didn’t feel. But because feelings weren’t encouraged in my household — and art was almost alien — I learned to follow what was pragmatic.

My goals were sometimes fanciful and creative, but I thought about channeling my talents into areas such as engineering, technology, law and politics. When I fell into writing in a serious way, it was purely an accident. My high school newspaper asked me to join the staff. Then I became editor, mostly because I preferred to be in charge if I was going to do something.

When I was starting college, the local daily newspaper offered me a part-time job as a reporter and photographer, which I took for the money, not because I intended to be a journalist. But the work was fun. I was good at it. And I got promoted quickly — to the point that I was managing editor of that daily paper when I was still 21 years old.

Yes, I was a writer, but I wasn’t a Writer. If you know what I mean. I was more of a technician than an artist.

I wrote and edited news and sports and features, but I didn’t see it as especially creative, much less literary. Over the years, I got very good at speaking directly to an audience. As a journalist, I was filling very defined boxes for newspaper readers. Then as a political consultant, I was using my ability to communicate in order to sell politicians.

After I got out of politics, I knew I had things I wanted to say to the world. I had ideas to share. And I’ve been struggling with this for more than 10 years now.

As far back as when I was about 30 years old, I came to the scary realization that I was an artist, whether I liked it or not. (Here’s something I wrote about it more than 10 years ago when I was struggling with this.) I’ve spent the years since then running away from that realization and constantly returning to it.

I’m terrified to believe that I should express myself through art. I’m afraid I would be a fraud as a filmmaker. I see myself as an imposter for even considering the idea. I would be humiliated if I committed myself to making art and then I wasn’t good enough, although I know very clearly that fear is just my ego speaking.

When I ask that most basic of questions — who am I? — I often see a small child who looked at the world very differently. I used to observe things that other children didn’t notice. I used to ask questions that weren’t typical.

When I was just a child, I got lost in seeing the world in a very different way.

I’ve tried for many years to force myself to be like other people, to experience the world the way they do — to live and think and act as they do. And I can’t. I just can’t.

And now that I’ve spent all those years trying to do things my father’s way — that of direct argument and concrete engagement — I wonder whether it’s too late to become a child again.

I wonder whether it’s too late to reconnect with the small child who looked at the world differently — who I’m told would get a faraway look in his eyes for several minutes before finally asking, “What if…?”

Is it too late for me to reconnect with that curious child — and to explore whether my mother’s abstract and creative approach to truth is a better fit for who I am?

Is it too late to finally choose art over argument?

Note: You can find Part 2 of this here.

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As part of my effort to rid my life of social media, I will no longer display links to my two Instagram accounts here. Those accounts will be dormant for the time being and will eventually be deleted. I plan to have a method for displaying photos here instead, but the solutions I’ve tested so far have been disappointing. I’m still working on it.

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When I got home at midnight Monday, I was doing so When I got home at midnight Monday, I was doing some work in the studio and Oliver wanted to join me. The first picture is when I just showed him around to acclimate him to the place again. (He rarely goes in there, but I have pictures of him in that studio on the night I brought him home as a kitten.) The second picture is the best portrait I could get of us. He looked nice and natural, but I looked a bit ridiculous. 😺
Earlier this week, I found two photos of Lucy and Earlier this week, I found two photos of Lucy and me that I had never seen. I loved finding the pictures, but seeing these photos left me thinking about the effect it has on us when we lose an animal we love — and it was also a reminder of how much my life has changed for the last nine months it’s been since I lost her. I wrote an essay about this. You can find it as the most recent post at davidmcelroy.org right now if you’re interested. I really do miss this sweet girl.
When I take lightning pictures, I’m always hoping When I take lightning pictures, I’m always hoping to get just one usable photo, but I got two dramatic images tonight. You might recognize the water tower and communication tower that you’ve seen in many of my sunset photos. This is about a mile from my house in Leeds, which is just east of Birmingham.
For those who are in places where it’s miserably h For those who are in places where it’s miserably hot today, here is a minute of light rain and gentle thunder from my back yard late Saturday afternoon. It’s very relaxing to stand at my back door and watch this, especially since the heat is pretty mild today — 80 degrees (about 26 celsius) — for July in the American South.
Alex was willing to cooperate with me for a new po Alex was willing to cooperate with me for a new portrait late Wednesday night. It’s been roughly three and a half years now since the cold night when I was able to lure him out from behind a garbage dumpster into a trap — but I don’t think he’s sorry at this point that he fell for the trick. 😺
This is the face of a man who’s thrilled that the This is the face of a man who’s thrilled that the weekend is finally here. It was a very long (and productive) week, but the time has finally come that I have time to write and read and think. Late Friday night, I’m at the McDonald’s near my house with a Diet Dr Pepper and a MacBook. For me, it’s like Cheers without the booze.
Donald Trump has figured out who to blame for the Donald Trump has figured out who to blame for the the D.C. Reflecting Pool turning green. The dastardly deed was carried out by a specially trained squad of Antifa cats trained by the Far Left. It’s not his fault. Arrest all the cats! #satire #parody
This was the sunset that faced me as I left Walmar This was the sunset that faced me as I left Walmart near my house just a few minutes ago. It was a beautiful light show for just a few minutes.
Here’s proof that reality and satire are indisting Here’s proof that reality and satire are indistinguishable these days.
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Cats haven’t change that much over the centuries. Cats haven’t change that much over the centuries. One of these is an Egyptian statue that’s in a British museum. The other is Oliver. If you just saw the outlines, would be know for sure which was which? 😺
I was just taking a photo of Alex in his bed when I was just taking a photo of Alex in his bed when Oliver decided he wanted to get in on the picture.
From the CritterCam: I’m finally getting to sleep From the CritterCam: I’m finally getting to sleep at 4:30 a.m. and this is what Alex is doing. He’s hanging over the side of his bed almost in the middle of the frame for the webcam. He amuses me. 😺
Alex woke up briefly when I told him I was leaving Alex woke up briefly when I told him I was leaving for the afternoon, but he didn’t seem concerned enough about my impending absence to change his afternoon napping plans.
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From the CritterCam: At 3 a.m., the night vision m From the CritterCam: At 3 a.m., the night vision mode of the webcam shows Alex engaging in a pretty vigorous bath as he’s curled up in his bed ready for sleep.
Oliver is in may lap Sunday night and Sam is stand Oliver is in may lap Sunday night and Sam is standing on the bed just a few feet away watching us. There are times when I suspect he’s confused by the degree to which the other two cats seek out contact with me.
From the CritterCam: Alex seems to know I’m watchi From the CritterCam: Alex seems to know I’m watching him on the webcam, because he’s looking directly into the lens. He really does appear to be posing for a portrait.
Alex was already curling up to go to sleep in the Alex was already curling up to go to sleep in the cat bed on my desk when I went to the office to tell the cats good night at 2:30 a.m. He raised his head to see what I want and I got a quick shot, but he was curled back up within seconds. All the lights are off in the office now and all three of them are asleep.
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It turns out that the radical far left has been training “Antifa cats” to sabotage anything important to Donald Trump. Everything he did was perfect. Honest. It was all the cats’ fault. Arrest all the cats! This is the latest of my ridiculous satirical shorts. Please go watch it. Then “like” it and subscribe. Please. I’m begging you. (Too much?) Although a couple of the previous videos have had views in the hundreds, most have still been seen by fewer than 20 people. So I seem to be having trouble letting people know that page exists.

Here’s the latest of my ridiculous parody shorts. It crossed my mind Tuesday to wonder what a slick and fast-talking car dealer might do right now to try to turn the high price of gasoline to his advantage. So I conceived of a fat and lovable character who tried to sell cars that don’t use any fuel — and then I started wondering if it would be funnier if all the characters were felines. Designing the King Cashpaw character took about four hours, but the rest took only another four hours, so this was a relatively quick piece that virtually wrote itself. I know it’s almost impossible for these parody videos to find a larger audience, but at least they amuse me — and there are 19 of them on my YouTube page now. The first few were very limited, but they’re getting more complex.

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I’ve been making some changes to the site lately and there are more changes coming in the days ahead, so don’t be surprised if you some small differences. This is not a wholesale redesign, but rather the addition of some features. Since they’re smarter than I am, I’ve put Oliver and Alex in charge of the technical work, which you can see in this action photo from the control room of our media complex. I recently added a series of landing pages for readers who randomly discover the site from an Internet search. I’ve also changed the YouTube link at the top of the page to go to the new YouTube channel for video essays that reflect things I’ve already published here. (Here’s a little bit about both of the YouTube channels I’m working on.) In addition, I’m trying to move away from using Instagram, so I’m experimenting with photo plug-ins that will eventually allow me to host the pictures — cats, dogs, sunsets, whatever — that I often take. So don’t be surprised to see more changes. Thanks for your patience. Let’s hope Alex and Oliver know what they’re doing.

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