If you’ll quit worshiping celebrities, their antics will quit shocking you

By David McElroy · August 27, 2013

Remember when Madonna was shocking and outrageous? Back in the early ’80s, she combined sexuality with religious imagery in ways that shocked and angered many people. (Personally, I thought Weird Al did it better in his parody than she did.)

Who else has shocked you? Lady Gaga and her meat dress or her recent nude video? Or maybe you’re old enough to remember when John Lennon shocked people by proclaiming that the Beatles were more popular than Jesus.

When I got online Monday morning, it seemed as though the whole world was talking about something scandalous that Miley Cyrus did on an MTV awards show Sunday night. On Facebook, it seemed for awhile that half the posts I saw were about her — some outraged, some disgusted and a few defending her.

I honestly don’t know the specifics of what Cyrus did to get everybody upset — and I don’t care to know. As I’ve mentioned before, I don’t watch television, but this isn’t something I’d have been watching even if I did still watch TV. It’s apparently popular with millions of people, but it’s beyond my comprehension to understand why. It’s not that I think I’m too good for a pedestrian medium such as television or something like that. I just don’t think that participating in most of pop culture is very good for me — and I don’t think the culture that’s emerged is a healthy one for anyone.

Maybe there’s always been a popular culture that has shocked older generations. That’s definitely been the case ever since the mass media have been around. Maybe it’s my imagination, but it seems as though celebrities seem to be going to ever-increasingly lengths to shock people — to change their reputations, create talk and make them more valuable in the long run.

So why does anyone care what Miley Cyrus does? She’s a 20-year-old with no special claim to fame other than some singing and acting roles over the past six or seven years. Why would millions of people — literally — have been talking about her Monday? Why do these non-entities have this sort of power over the public?

They have the power because you worship them and follow them like royalty. You treat them like they’re important. Maybe not you personally, but “you” in the sense of the public. The media treat them as though they’re news because millions and millions of people watch anything put on television or posted on the Internet about them. But don’t blame the media. Blame the public. It’s the market driving their decisions about what’s important.

The United States and Great Britain are probably about to launch an attack on Syria, but the media were too busy pushing the Miley Cyrus story to care too much about that. And why would they? They’re giving people what they want. Although this is satire from the Onion, this fake explanation from CNN about why the Miley Cyrus story was the lead story on CNN’s website is too close to the truth to ignore.

I’m not outraged by whatever Miley Cyrus did. I just don’t care. I’m much more concerned that so many people care what she did than I am about whatever silliness or lewdness a 20-year-old did for attention.

If you find it as silly as I do, tune celebrity culture out and encourage others to do the same. Don’t wait until they shock you. Enjoy their movies when you want and enjoy their music when you want, but don’t worship the stars. Don’t pay attention to their private lives. Don’t turn them into heroes. You’re giving them way too much power over our culture when you do that.

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Six years ago this evening, a scared young dog came to live with me. She was so terrified on the ride to my house that she pooped in the back seat of the car. She had originally lived her life on a chain as a puppy. Then she lived among far too many other animals in a cramped apartment, where she was pushed around by bigger dogs. I was told she would always be a “special needs dog” and would probably never be much more than the scared girl she was then. But with a lot of love and patience, a very different dog emerged in the coming months. Now that she’s been with me for six years, it’s hard to imagine her any way other than she is today — as the World’s Happiest Dog®. One day, she’s going to tell her own story on her own podcast. You’ll subscribe when she gets started, won’t you? This loving girl deserves it.

It was obvious to me in the late 1990s that western society is heading toward social and economic collapse. When I told other people back then, most thought I was crazy, because they saw their society as stable and booming. But more and more people have slowly been coming to the same conclusion. And now, even the wealthy and powerful seem concerned. A new report from the World Economic Forum says the erosion of “social cohesion” is what we should fear right now. (Full report here.) Although I disagree with a lot of political spin that these elites put on the dangers ahead, I feel certain that we are headed toward social collapse. And most people will not prepare for it. The book that started me down the road of thinking about this came out in 1993. I thought its reasoning was impeccable, but that the time frame would be longer than the book expected. I still find that book a useful foundation for thinking about the issue — “The Great Reckoning,” by James Dale Davidson and Lord William Rees-Mogg — even though its predictions are out of date. Dark days are coming. Smart people are going to have a plan to get out of the way of what’s coming. Will you?

Since I posted my audio discussion a couple of nights ago about some recent realizations I’ve had about myself, several people have asked for more about what I quoted from Jordan Peterson. The Canadian psychologist is controversial to some — and I don’t always agree with him — but I’ve found his lectures about art and its relation to psychological archetypes very useful. You can find him here talking about art being more about process than just result, which contains the material I quoted. Here’s another video from a lecture in which he discusses how artists mediate for the rest of society between the known and the unknown. And here’s another portion of a lecture at an art exhibition in which he talks about the necessity of artists for society. And if you missed my audio from two nights ago, here’s a link to my discussion about some things I’ve learned about myself and some things I need to change about myself as a result.

I just realized it was four years ago today when I came uncomfortably close to dying. I don’t remember how blunt I was publicly about this at the time, but the surgeon who operated on me made it clear afterward that I had been much worse than he had thought. My gallbladder was inflamed and I had been in tremendous pain, but what the doctors didn’t know until they started is that the organ was close to rupturing. Surgery that was supposed to take half an hour took two or three hours, because my gallbladder was so diseased — the surgeon’s word — was falling apart as he tried to remove it. I had gone to the emergency room at St. Vincent’s Hospital (the same one where I was born) and was kept for emergency surgery the next morning. I should have been home that night, but I had to stay in the hospital three days instead. The weird thing is that I never really believed I could have died. Maybe it was just denial, but I didn’t feel as though it was my time. I thought I still had a lot of life left to live. Four years later, I’m grateful to be alive, but I feel as though my life is still on pause. It’s been a blur. I still feel as though I’m waiting for “the rest of my life” to start.

Is “The Nightmare Before Christmas” really a Christmas movie or a Halloween movie? It’s both, making it a delightful mashup of themes and images from two very different holidays. Although Danny Elfman’s score was nominated for several different awards, Elfman wasn’t a typical composer for film scores. Up until he started working on films with Tim Burton, Elfman had been a rock-and-roll artist best known as the leader of the new wave band Oingo Boingo in the 1980s. Just this week, I heard an interview on the podcast Song Exploder on which Elfman explains how he came to write the music for the movie, including why he approached the music for the film very differently than he had approached writing rock music. I enjoyed the 20-minute interview and if you happen to love the film, this Christmas would be the perfect time to learn more about how the score came to be. Tap or click below to listen. Listen here.

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