For most of my life, I had generally avoided novels written before I was born. They were stodgy. The language was outdated. They were boring. Even if they were significant in the historical sense, I saw them as the literary equivalent of reading the King James Version of the Bible.
I was wrong, of course, but I didn’t realize that until the last decade or so. I first started reading English translations of some Russian classics. I came to love Leo Tolstoy’s “Anna Karenina” and Fyodor Dostoevsky’s “The Brothers Karamazov,” among others.
Then a friend introduced me to German novelist Hermann Hesse. To one extent or another, I found that I loved “Steppenwolf,” “Siddhartha,” “Narcissus and Goldmund” and “The Glass Bead Game.” I’ve read “Narcissus and Goldmund” four times so far — and I keep finding new things to appreciate about it.
But I was slow to appreciate the English writer Charles Dickens — and I’ve come to understand that this has meant depriving myself of a kind of literary joy that I haven’t experienced for a long time. I just finished the Dickens novel, “David Copperfield,” a few hours ago — and I’d like to suggest that this book is better than almost any fiction that’s been written since I was born.
I’m left feeling serious regret that I’ve had such a huge hole in my education about literature and human existence.

The gifts we give children shape them and reveal what we expect of them
Need something to wear tonight? Here’s a geeky Halloween costume
My drive to be perfect led to lack of compassion for self and others
What if other people see you or hear you differently than you do?
Noise of culture isn’t evil, but it drowns out what really matters
Money is a tool, and it’s useless without motivation and vision
Hiding anger was a survival skill, so you might not know I’m angry
There’s magic in the dark solitude and quiet stillness after midnight