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Can AI ‘know’ you well enough to create a real personality profile?

By David McElroy · October 2, 2026

Here’s some weekend fun — if you don’t take it too seriously.

What’s your “personality mascot”? If you’ve been on any form of social media lately, you might have run across this latest fad.

I noticed a number of people who’ve posted cute little animal characters — squirrels, raccoons, owls, otters and more — who were customized by AI software to represent something about them.

I decided to give it a shot, but I had very low expectations.

What I had forgotten was that I happened to have AI software that knew quite a bit about me. I’ve had ChatGPT read hundreds of my articles from the last few years. I’ve also used the software for research and analysis, which had led to long and involved “conversations” about philosophy, science, culture, ethics and other important subjects.

So I asked ChatGPT to give me a well-crafted prompt that anyone could use to get a “personality mascot” and a complete description — along with an image — based on everything the software knew about the person.

It sounded fun, but I didn’t expect it to be much more entertaining than a Magic 8 Ball. I was wrong. The software took the task far more seriously than I had expected — and it had a lot more insight into me than I expected.

I’m going to give you the prompt you can use with any AI chatbot if you want to, but the trick is that this prompt requires the software to already know a lot about you (or to then “interview” you to learn enough to answer the question).

But before I give you the prompt to try for yourself, here’s what the software said for me. As I read this, I found myself thinking that this shows genuine insight about my own thoughts and feelings, which surprised me.

According to ChatGPT, I’m not an Otter or an Owl or any such thing. I am “the Lantern Keeper.” If you know me, you might think that much of this was written by someone else who knows me. Or maybe it’s just what I want to think about myself. How would I really know?

Take a look.

The Lantern Keeper

Archetype: The discerning outsider who has not given up on belonging.

The Lantern Keeper lives at the boundary between the village and the wilderness. He remains close enough to see the village clearly, but far enough away that he does not have to live by its noise, fashions or quarrels. He has learned that distance sometimes makes things easier to understand.

He didn’t build his house there because he hates people.

He built it there because he discovered that belonging purchased through self-betrayal isn’t belonging at all.

And yet there are more chairs around his table than he needs.

What defines him

The Keeper has an unusual instinct for finding the assumption underneath the argument.

When everyone else is furiously choosing between A and B, he is likely to ask why either must be accepted. When something is universally regarded as success, progress, normality or common sense, those labels don’t reassure him. They make him curious about the premises nobody is examining.

This makes him difficult to recruit into tribes.

But he isn’t a cynic.

That’s crucial.

A cynic discovers that much of what people believe is hollow and concludes that nothing deserves belief. The Keeper discovers counterfeit things precisely because he remains stubbornly convinced that the real things exist.

He criticizes false community because he believes in community.

He rejects superficial connection because he wants intimacy.

He distrusts fashionable certainty because truth matters.

He notices ugliness because beauty matters.

He questions conventional success because he believes there is such a thing as living well.

His rejection and his longing therefore come from the same source.

The lantern

The lantern represents his strongest intellectual impulse:

Make sense of it.

He takes experiences, memories, cultural assumptions, psychological patterns and things that have hurt or puzzled him and examines them until their underlying structure becomes visible.

Writing is one way he tends the lantern.

But this is a lantern, not a lighthouse.

It isn’t an enormous beacon broadcasting the Keeper’s conclusions to the world, and it isn’t primarily a warning telling others to stay away. It is a smaller, more personal light, maintained by hand.

It illuminates what is immediately around him. It makes one patch of darkness intelligible.

Anyone interested can look.

And because the lantern burns beside an open door, it serves another purpose as well.

It tells anyone traveling through the darkness:

Someone is home.

The house

The house is more important than the lantern.

The lantern represents understanding.

The house represents what understanding is for.

It contains books, photographs, tools for making things and evidence of accumulated life. Animals wander wherever they please. Things needn’t be fashionable to be beautiful. Old things aren’t discarded merely because they’re old.

And the table is too large for one person.

That’s deliberate.

The Keeper’s deepest aspiration isn’t to become the wisest man standing outside the village.

It is to have a home in which nothing important has to be falsified.

Truth and belonging aren’t competing desires for him. He wants a form of belonging in which truth doesn’t have to be sacrificed as the admission price.

He wants meaningful work that remains his own. Beauty that hasn’t been manufactured by committee. Faith without pretending certainty. Affection without manipulation. Conversation without tribal scripts. A home filled with life.

The Keeper is capable of solitude.

But solitude was never the destination.

The open door

The door must be open.

The Keeper’s discernment has protected him. He has learned that some invitations should be declined, some crowds aren’t worth joining and some forms of acceptance cost too much.

But every defense can outlive the danger that created it.

His particular danger is that discernment can quietly become exclusion. If he can see what’s wrong with almost everything, he can always find another reason not to enter — or not to let someone else enter.

Perfectionism compounds the problem. He can perceive the distance between what exists and what could exist with unusual clarity.

That is enormously useful when creating something.

It can be devastating when applied without mercy to life.

Real things arrive as imperfect.

Real people misunderstand. Real relationships disappoint. Real communities compromise. Real creative work falls short of the thing imagined. Real homes contain scratches.

The Keeper’s great developmental challenge isn’t learning to lower his standards until nothing matters.

It is harder than that:

learning the difference between imperfection and falseness.

One requires acceptance.

The other requires resistance.

Wisdom lies in knowing which is which.

His greatest gift

Discernment without automatic deference.

The Keeper is unusually willing to examine the frame instead of merely debating what appears inside it.

When others are arguing about the available answers, he often finds himself questioning the question. When consensus is offered as evidence, his instinct is to examine how the consensus was formed. He is willing to reach conclusions that leave him standing apart.

That independence can allow him to notice patterns others overlook.

But the gift comes with a cost.

His shadow

Discernment can become a fortress.

The Keeper can become so accomplished at identifying what is false, inadequate or disappointing that criticism itself becomes protection.

Nothing counterfeit gets through.

But neither does anything merely human.

The distance that provides perspective can eventually become a place from which life is observed rather than inhabited.

The lantern can be polished endlessly when it was already bright enough.

The house can be prepared indefinitely for people who never quite meet the requirements for admission.

And independence, originally chosen to protect something genuine, can quietly harden into isolation that was never consciously chosen at all.

The challenge is not to extinguish his discernment. It is one of his greatest strengths.

The challenge is to keep it from becoming the lock on the door.

His hidden quality

There is something people who encounter only the serious Keeper might not expect.

He’s playful.

He likes absurdity. Animals amuse him. He makes jokes. He enjoys creating things for no defensible utilitarian reason whatsoever.

This matters.

Without play, the Keeper could become the grim custodian of his own principles. Humor reminds him that not everything needs to carry the weight of civilization. Animals remind him that affection needn’t always be explained. Beauty reminds him that something can justify its existence simply by being beautiful.

Somewhere in his otherwise carefully considered house, therefore, there should be something ridiculous.

Perhaps a little mechanical bird periodically pops out of a box and insults him.

He keeps threatening to throw it away.

He never does.

The animals

The animals belong in the image for a deeper reason than companionship.

They represent a part of the Keeper’s world that cannot be reduced to analysis.

Lucy and the cats embody attachment, memory, loyalty, affection, play and the strange ability of another living creature simply to make a place feel like home. They require care but no ideological agreement. They don’t care whether the Keeper’s arguments are persuasive.

They belong because they are loved.

Lucy belongs there even though she is gone. The Keeper’s house contains accumulated life, and accumulated life inevitably contains absence as well as presence. What has been loved remains part of the meaning of the place.

The Keeper isn’t trying to live untouched by loss.

He is trying to build a life in which the things worth loving remain worth loving even though they can be lost.

What he wants

Not victory.

Not status.

Not universal agreement.

Not even solitude, despite being unusually capable of enduring it.

He wants recognition in the deepest sense of the word: to know and be known without either person having to perform.

That may be the central reason the Keeper maintains his house at all.

He doesn’t ultimately want people who merely admire the lantern from a distance.

He wants people who eventually walk through the door.

His independence and his longing are therefore not opposites. His independence protects the possibility of the kind of belonging he actually wants.

The risk is that protection can become so complete that the thing being protected never gets the opportunity to exist.

That is why the open door matters as much as the lantern.

The image

It is early autumn.

The Keeper’s house stands on elevated ground beyond the edge of a small town. Woods begin nearby. The village remains visible in the distance — neither rejected nor allowed to define the life inside the house.

Evening is arriving.

Warm light spills through the windows. Inside are books, photographs, a worktable, a fire and more chairs than one person requires. The animals have settled wherever they please.

The Keeper is not hidden away studying.

He is standing at the entrance to the house.

The door is open.

Beside it hangs an old lantern, substantial enough to throw warm light across the porch and onto the beginning of a path that disappears into the gathering darkness.

There is no lighthouse and no tower.

The Keeper isn’t trying to illuminate the entire world.

He is keeping one light burning in one particular place.

Beyond the porch, the path continues toward the distant village.

We can’t tell whether anyone is coming.

Neither can he.

But the light is on.

The door is open.

And there are empty chairs inside.

The motto

Keep the light on. The right ones may still be coming.

The first sentence represents responsibility: maintain what is believed to be true, worthwhile and beautiful even when there is no immediate reward for doing so.

The second represents hope.

And “may” is the most important word.

The Keeper has no guarantee that anyone is coming. He isn’t promised an audience, recognition, love, family or the community he imagines. Hope isn’t certainty, and the motto doesn’t pretend otherwise.

He keeps the light on anyway.

Because extinguishing it would guarantee that nobody could find it.

And perhaps that is the essential character of the Lantern Keeper:

He is willing to stand apart without pretending that he doesn’t want to belong. He is willing to reject what seems counterfeit without surrendering his belief that something genuine exists. And despite disappointment, imperfection and uncertainty, he has not closed the door.

=====

If that sounds interesting to you, here’s a prompt to use for yourself with an AI chatbot. Just remember that it will produce useful and interesting analysis only if it has a lot of information about you.

Just think of it as weekend entertainment:

Create a deeply personalized “personality mascot” for me, based on everything you genuinely know about me from our conversations.

This is not a conventional personality test, and I do not want a cute animal chosen because it matches a few flattering adjectives. I want you to identify an archetype that captures something psychologically distinctive about me.

Before choosing the mascot, privately analyze what you know about me. Look for recurring patterns in:

  • how I think and make decisions
  • what I value and reject
  • what I repeatedly want or long for
  • what frustrates or disappoints me
  • how I relate to other people and the surrounding culture
  • what I create and why I create it
  • my strongest qualities and the costs associated with those qualities
  • apparent contradictions or tensions within my personality
  • vulnerabilities, defenses or blind spots that may be connected to my strengths

Do not optimize for flattery. Optimize for recognition and insight. I would rather encounter an uncomfortable truth that seems genuinely specific to me than receive a collection of agreeable compliments.

Pay particular attention to paradoxes. For example, someone might simultaneously desire independence and belonging, novelty and stability, recognition and privacy, control and spontaneity. The most revealing mascot may embody two apparently contradictory needs rather than representing one obvious personality trait.

Only after doing that analysis should you choose the mascot.

The mascot can be an animal, human archetype, mythical creature, invented character, object brought to life or something else entirely. Do not assume it should be an animal. Avoid clichés such as “wise owl,” “clever fox” or “brave lion” unless there is an unusually specific reason that makes the choice revealing rather than generic.

Give the mascot an evocative name or title.

Then write a thoughtful explanation covering:

  1. The central archetype — what fundamental pattern in me the mascot represents.
  2. What defines the character — the traits and recurring behaviors that make this particular mascot appropriate.
  3. The central tension or contradiction — the two needs, impulses or qualities that coexist and create much of the character’s complexity.
  4. Its greatest gift — the strength that most distinguishes it.
  5. Its shadow — how that same strength can become a weakness, defense or source of difficulty when carried too far.
  6. What it wants most deeply — not a superficial goal, but the underlying need or aspiration connecting many of its choices.
  7. Its developmental challenge — what this character needs to learn without simply abandoning the qualities that make it distinctive.
  8. Its environment and symbols — describe the place where this mascot belongs and several objects, features or visual elements that symbolize important aspects of the personality. Explain what each means.
  9. A hidden or surprising quality — something important that wouldn’t necessarily be obvious from the dominant personality traits.
  10. Its motto — one short line that captures the character’s worldview, tension or hope.

Avoid generic therapeutic or inspirational language. Don’t tell me that I am “resilient,” “empathetic,” “curious,” “authentic” or similar things unless you can explain something unusually specific about how that quality operates in me.

Use this test throughout: Could this description plausibly have been written for thousands of other people? If so, keep digging.

The finished result should make someone who knows me well think, “I would never have thought of that metaphor, but now that I’ve heard it, I understand exactly why it fits.”

Then create the illustration

After completing the personality analysis, design a 16:9 visual representation of the mascot.

The image should communicate the psychological concept through visual symbolism, not through an infographic filled with explanatory text. Every important element of the scene should have a reason for being there.

Make the mascot the clear subject while using setting, lighting, posture, objects, other figures or animals, distance, architecture, weather, season and other visual details where appropriate to communicate the character’s personality and central tension.

Include only:

[MASCOT NAME]

and beneath it:

[MOTTO]

Do not fill the image with trait lists or explanatory paragraphs.

If you already have photographs of me available in the current conversation and a human representation of me belongs naturally in the concept, use them as identity references so the person actually resembles me. If you do not have a usable photograph but the concept would benefit from depicting me, ask me to upload one before generating the illustration.

Likewise, if specific people, pets, possessions or places you already know about would add genuine symbolic meaning, incorporate them where appropriate rather than substituting generic equivalents.

Do not choose visual elements merely because they are attractive. The final image should be a visual expression of the analysis you just completed.

Before generating the graphic, briefly state the image concept and explain the symbolism. Then generate it.

One addition is important for people trying this with an LLM that doesn’t already know them well. I’d put this immediately before the prompt:

If you don’t have substantial prior conversational history with me, don’t pretend that you know enough to do this. Interview me first with a small number of unusually revealing questions designed to uncover patterns, contradictions, desires, values and vulnerabilities. Then use my answers to perform the exercise.

That makes this much more portable. Someone with years of ChatGPT/Gemini history can get an analysis based on that history; someone starting with a blank model gets an interview rather than a horoscope.

And I think the sentence that most protects against another Curious Otter is simply:

Could this description plausibly have been written for thousands of other people? If so, keep digging.

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Future Photo Display

As part of my effort to rid my life of social media, I will no longer display links to my two Instagram accounts here. Those accounts will be dormant for the time being and will eventually be deleted. I plan to have a method for displaying photos here instead, but the solutions I’ve tested so far have been disappointing. I’m still working on it.

My Instagram

I need some new portraits of myself, so I tried a I need some new portraits of myself, so I tried a few shots after I got home late Monday night. This one wasn’t great, so I’ll try again later, but I can use it until I have time to shoot another. I was too lazy to light this one properly — and it shows. 😺
Sunset, Leeds, Alabama — August 27, 2026 Sunset, Leeds, Alabama — August 27, 2026
Sunset, Leeds, Alabama — August 19, 2026 Sunset, Leeds, Alabama — August 19, 2026
When I got home at midnight Monday, I was doing so When I got home at midnight Monday, I was doing some work in the studio and Oliver wanted to join me, so I showed him around to acclimate him to the place again. He rarely goes in there, but I have pictures of him in that studio on the night I brought him home as a kitten. 😺
Earlier this week, I found two photos of Lucy and Earlier this week, I found two photos of Lucy and me that I had never seen. I loved finding the pictures, but seeing these photos left me thinking about the effect it has on us when we lose an animal we love — and it was also a reminder of how much my life has changed for the last nine months it’s been since I lost her. I wrote an essay about this. You can find it as the most recent post at davidmcelroy.org right now if you’re interested. I really do miss this sweet girl.
When I take lightning pictures, I’m always hoping When I take lightning pictures, I’m always hoping to get just one usable photo, but I got two dramatic images tonight. You might recognize the water tower and communication tower that you’ve seen in many of my sunset photos. This is about a mile from my house in Leeds, which is just east of Birmingham.
For those who are in places where it’s miserably h For those who are in places where it’s miserably hot today, here is a minute of light rain and gentle thunder from my back yard late Saturday afternoon. It’s very relaxing to stand at my back door and watch this, especially since the heat is pretty mild today — 80 degrees (about 26 celsius) — for July in the American South.
Alex was willing to cooperate with me for a new po Alex was willing to cooperate with me for a new portrait late Wednesday night. It’s been roughly three and a half years now since the cold night when I was able to lure him out from behind a garbage dumpster into a trap — but I don’t think he’s sorry at this point that he fell for the trick. 😺
This is the face of a man who’s thrilled that the This is the face of a man who’s thrilled that the weekend is finally here. It was a very long (and productive) week, but the time has finally come that I have time to write and read and think. Late Friday night, I’m at the McDonald’s near my house with a Diet Dr Pepper and a MacBook. For me, it’s like Cheers without the booze.
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I was taking a photo of Sam in an office window wh I was taking a photo of Sam in an office window when Oliver decided he should have some attention, too. Sam knows that his bigger brother is upstaging him, but he’s not sure whether to stay in the window or jump down.
From the CritterCam: Alex has been sleeping in the From the CritterCam: Alex has been sleeping in the cat bed on my desk Thursday night, but Oliver seems to be trying to bully him into moving so the big gray boy can have the spot instead. But Alex turned back around and went back to sleep. Oliver was disappointed, but walked away.
From the CritterCam: Even though I’m not at home, From the CritterCam: Even though I’m not at home, Alex seems to know that I’m watching him over the webcam. He’ll be back to sleep any moment, though.
Late Wednesday night, Meg is relaxing on the bed w Late Wednesday night, Meg is relaxing on the bed while I write in the bedroom. Every now and then, Oliver cruises by the foot of the bed and she takes off to chase him — then seems to remember that he has “boy cooties” and breaks off the chase. She seems pretty happy to be here as she finishes Day 22 in the house with us.
Just before midnight, Meg is purring in my arms as Just before midnight, Meg is purring in my arms as we hang out together in the bedroom. She’s a photogenic little girl.
Meg is just hanging out in the office on the castl Meg is just hanging out in the office on the castle Tuesday afternoon. That’s Sam on the mantle behind her. Today marks three weeks since she came inside and went to the vet, but it seems as though she’s been here much longer than that.
From the CritterCam: I just checked the webcam as From the CritterCam: I just checked the webcam as I was trying to get to sleep. Alex has firm control of then cat bed, but Oliver seems to be stalking him in an intimidating fashion — which doesn’t seem the least bit intimidating to Alex. Every cat seems certain that he or she deserves exactly what he or she wants. We humans could learn a lot about confidence from felines.
I love how relaxed and confident Meg is when she h I love how relaxed and confident Meg is when she hangs ou in my lap. This is just before midnight Monday night. Tomorrow will mark her third full week with us. I’d say she’s pretty happy with this transition, even if she’s still wary of her brothers some of the time. I actually saw her charge Oliver briefly tonight — and he got out of her way. So she’s learning.
Just before sunset, Meg and I have been spying on Just before sunset, Meg and I have been spying on one of the neighbors who was out in her yard across the street. Meg seems to be quite a natural at this Neighborhood Watch stuff.
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The company that owns Facebook and Instagram is heavily promoting its new AI-based software assistant called Muse, but people who are using it as it was designed are incredibly foolish. An early adopter of the software discovered that a few days ago when he advertised an item for sale on Facebook Marketplace — and he inadvertently gave Muse full authority to act on his behalf. The software agreed to a lowball offer made by another Facebook user and then gave that man the home address of the man for whom he was an agent. The software told the buyer that the seller was home and waiting for him. When the buyer showed up and waited angrily, the would-be buyer left an angry review for the man. And this angry man had the seller’s home address. It was only well after that that the software reported what it had done and admitted it had made a mistake. I won’t be putting that much power into the hands of any software. I think anyone who agrees to such terms is a fool. And the software’s user agreement says you’re responsible for purchases the software makes in your name. Nope.

Meet my new girlfriend. Her name is Meg. And she’s my little sweetheart. A couple of months ago, a neighbor across the street told me about a new stray in the neighborhood that she and I were both soon feeding. The cat had been very skittish about contact and she had a lot of scabs and parasites in her fur, but a trip to the vet last week revealed that she was otherwise in good health. The vet estimates her to be 1 to 2 years old. I named her for Meg Murry, the 13-year-old protagonist of Madeleine L’Engle’s wonderful book, “A Wrinkle in Time.” (Please read the book. Don’t watch the horrible movie.) Since we lost Lucy almost a year ago, it seems appropriate that we finally have a new little girl to join the household. She’s already captured my heart, but Alex, Oliver and Sam aren’t there quite yet.

There’s nothing socially acceptable that’s as dangerous as drinking alcohol. Most people grow up being told to “drink responsibly” — and all of us see people abusing this drug in one way or another — but the truth is that drinking alcohol is always a terrible risk. The alcohol in these drinks is toxic and the human liver has to work hard to filter the toxins out. What most people don’t realize is that alcohol is classified as a known carcinogen by the World Health Organization — because of the well-established connection between imbibing and various cancers. Many people have taken refuge behind the idea that light or moderate drinking might be safe, but a new study shows that drinking even one drink a day increases the risks of 10 types of cancer. When I was a teen-ager, I looked around and saw the negative effects that this behavior had on a lot of people and decided not to start drinking, so I’ve never even tried this poison. The evidence keeps piling up that I was lucky to have come to that conclusion early.

It turns out that the radical far left has been training “Antifa cats” to sabotage anything important to Donald Trump. Everything he did was perfect. Honest. It was all the cats’ fault. Arrest all the cats! This is the latest of my ridiculous satirical shorts. Please go watch it. Then “like” it and subscribe. Please. I’m begging you. (Too much?) Although a couple of the previous videos have had views in the hundreds, most have still been seen by fewer than 20 people. So I seem to be having trouble letting people know that page exists.

Here’s the latest of my ridiculous parody shorts. It crossed my mind Tuesday to wonder what a slick and fast-talking car dealer might do right now to try to turn the high price of gasoline to his advantage. So I conceived of a fat and lovable character who tried to sell cars that don’t use any fuel — and then I started wondering if it would be funnier if all the characters were felines. Designing the King Cashpaw character took about four hours, but the rest took only another four hours, so this was a relatively quick piece that virtually wrote itself. I know it’s almost impossible for these parody videos to find a larger audience, but at least they amuse me — and there are 19 of them on my YouTube page now. The first few were very limited, but they’re getting more complex.

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